Par NORMAN HEIM. This collection of Baroque music is arranged for the intermediate-level clarinetist with the piano part being of equal difficulty. The music is taken from keyboard, song and chamber music sources and represents quality Baroque styles circa 1625 - 1775. Composers include Johann S. Bach, Jean P. Rameau, Alessandro Scarlatti, G. F. Handel, Domenic Scarlatti, Antonio Vivaldi, C. P. E. Bach, and Johann J. Froberger. This music can be played by clarinetists for church, festival, school and leisure occasions. The piano accompaniment is available as a free download. / Niveau : Intermédiaire / Classic - Solos / Recueil / Clarinette

Quinze études was adapted by Ulysse Delécluse (1907-1995) from the set of six works Sonatas and Partitas for Violin initially written by J. S. Bach (1685-1750) in 1720. Started in 1703 and only finished in 1720 it alternates between three sonatas in four movements and three partitas. In this baroque composition each sonata has a four-movement structure consisting of a prelude a fugue and a more binary tempo for the third and fourth parts. The partitas with a structure close to the gigue were slightly more varied due to the introduction of different elements. This transcription for the clarinet produced in1953 by Ulysse Delécluse a French clarinettist and professor enables an easier access to this repertoire for clarinettists.

25 Easy Pieces for Clarinet and Piano-'Klassik für Kinder' wants to introduce Clarinet pupils to the beauty of Baroque Classical and Romantic concert literature. Cautiously not only original Clarinet literature was taken up but catchy tunes and themes from the opera (e.g. The Magic Flute) and the concert hall (Four Seasons Capriccio italien and others) were used as well. The edition starts with a piece from the Renaissance period followed by the great composers of the Baroque European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Reinagel Sullivan). Four centuries of music history which willmake the pupils enjoy classical music! The pieces are presented in easy arrangements and can be mastered after about two years of tuition with the three-line octave being left out.

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: The Carman's Whistle (Byrd) * Echo Polka (Snell) * Evening Song (Snell) * Gavotte (Fischer) * Gavotte (Maichelbek) * Little Minuet (Mozart) * Little Song (Mozart) * March (Handel) * March (Snell) * Menuet (Handel) * Processional (Snell) * Renaissance Dance (Praetorius) * Rigaudon (Bohm) * Swedish Folk Song (Traditional) * Ten Easy Duets for Clarinet (Snell) * Toccata (Snell) * Vocalise (Beethoven).

In varying styles from Baroque to Funk-In this challenging new set of studies “18 Concert Etudes” for solo Clarinet James Rae aims to help develop good technique and to nurture musicianship from grade 6 through to college level. As might be expected from James Rae there are swing funk and jazz etudes but other musical styles right back to the baroque period are not neglected. Not only can the serious Clarinet student use them for warm-ups and practice but they are also quite suitable to be programmed as concert pieces in their own right alongside accompanied works of all styles.

Partition pour clarinette Style : contemporain Nombre de pages : 32 + 11 Niveau : 4 Quelle chance nous avons de pouvoir jouer une musique qui vient d'être composée ! Que ne donnerions ­nous pas pour pouvoir rencontrer Schubert, Mozart ou Mahler, afin que, sur leurs conseils, notre jeu traduise bien ce qu'ils ont voulu exprimer ! Malgré cette proximité avec les compositeurs, j'entends souvent dire qu'il est nécessaire d'avoir une érudition spécifique pour pouvoir jouer de la musique contemporaine et l'apprécier. Le plus difficile au départ est de partir d'une feuille vierge, car nous n'avons pas de référence, ni de mémoire concernant cette musique, contrairement à une œuvre de Brahms par exemple, dans laquelle nous pouvons retrouver une histoire, un héritage qui est en nous. L'approche de la musique contemporaine est donc forcément déroutante car elle n'est pas enracinée dans un vécu. Pourtant, la démarche musicale me semble être la même en ce qui concerne la qualité de jeu, que l'œuvre jouée soit de style baroque, romantique, moderne ou contemporain. L'expression et le discours musical sont les fils conducteurs, alliés à un respect du texte qui ne doit pas être laissé au hasard. Peu à peu nous créons notre histoire, en nous appropriant ce nouveau langage. Ce recueil, fruit d'une collaboration très étroite avec chaque compositeur, fournit les clés nécessaires pour permettre la maîtrise des besoins instrumentaux spécifiques et pour accéder à la compréhension musicale des œuvres. Ainsi, le choix de présenter différentes tablatures me paraissait important afin de confronter les élèves aux différentes annotations existantes. L'enregistrement des pièces sur CD est une référence supplémentaire. Vous trouverez dans ce recueil un ensemble de pièces pour clarinette seule, de duos pour clarinettes et de pièces pour clarinette et piano, la plupart n'excédant pas deux minutes. Certaines pièces sont d'écriture plutôt classique comme Un, deux, trois… de E. Danajloska ou L'Arbre de P. Schoeller, d'autres font appel à des techniques de jeu contemporaines (sons multiphoniques, vibrato, flatterzungen, quarts de tons), comme Ondes de A. Posadas, Echoing Forest de F. Tanada, Double de J. L. Hervé ou Blues de B. Mantovani. Pour finir vous pourrez expérimenter l'improvisation contemporaine grâce à la pièce de C. Crousier Brouillasse-Broussaille. Le choix des compositeurs s'est porté sur des artistes reconnus sur la scène internationale avec lesquels j'ai l'habitude de travailler avec l'ensemble L'Itinéraire. Je remercie chacun d'eux d'avoir accepté de participer à ce fabuleux projet de transmission et de création. Je remercie aussi Maryvonne Le Dizès pour son aide précieuse. Aude Richard-Camus Contenu : TANADA Fuminori: Echoing Forest (clarinette solo) - POSADAS Alberto: Ondes (clarinette solo) - MANTOVANI Bruno: Blues (clarinette solo) - DANAJLOSKA Evdokija: Un, deux, trois… (clarinette et piano) - SCHOELLER Philippe: Horizons A (2 clarinettes) - L'Arbre (clarinette et piano) -Horizons-tal (2 clarinettes) - Etoiles (clarinette solo) - HERVE Jean-Luc: Double (2 clarinettes) - CROUSIER Claude: Brouillasse (clarinette solo) - Broussaille (clarinette solo)

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Air (Bach) * Allegro (Corelli) * Allegro (Mozart) * Andante (Mozart) * Blues (Snell) * Caprice (Snell) * Capriccio (Handel) * Duet (Mozart) * Farewell (Haydn) * Flying Fingers Polka (Snell) * The Next Market Day (Irish Folk Song) * Rondo (Beethoven) * Simple Gifts (Shaker Hymn Tune).

Clarinet teaching material-Woodwind World: Clarinet Book 2 includes arrangements of Traditional Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the pieces are unaccompanied.The solo Clarinet part is also included on a separate insert.

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegretto (Mozart) * Andante (Mozart) * Austrian Dance (Traditional) * Bouree (Bach) * Cappriccio (Hassler) * Courante in F (Handel) * Easy Sailing (Snell) * El-A-Noy (American Folk Song) * Etude (Gounod) * Fughetta (Pachelbel) * March (Beethoven) * March for Little John (Snell) * Menuett (Mozart) * The Minstrel Boy (Irish Folk Song) * Minuet (Snell) * Prelude & Fughetta (Snell) * Serenade (Snell) * Scherzino Witthauer.

Clarinet teaching material-Arrangements of Traditonal Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the pieces are unaccompanied.

Clarinet teaching material-Arrangements of Traditonal Baroque and Classical pieces edited with regard to current concepts of performance practice.